Music 20B:

First-Year Theory: Introduction to Tonality

Winter, 2001

Books:

  • Bach, J.S., 271 Chorales, Schirmer Edition.
  • Mozart, W.A., Complete Sonatas and Fantasies for Solo Piano, Dover Edition.
  • Benjamin, Horvit, Nelson, Music for Sightsinging, (Wadsworth), 2000, 3rd. Edition (referred to as SS).
    All assignments (labelled SS) in prepared sightsinging come from this book.
  • Brings, et al, A New Approach to Keyboard Harmony, (W.W. Norton), 1979 (referred to as KB).


  • There is graded dictation at the beginning of each class: any student who misses a dictation will earn a zero, which cannot be made up. There will be six written assignments in four-part harmony, and they are due on the days indicated. Any late assignment will be downgraded: since papers will have numbers (e.g. "0" is no mistakes and an "A") a number will be added for each class day late. Papers with the grade of "X" must be rewritten and submitted at the next class.


  • Monday, January 8:Introduction to the course.
    The matrix of tonality as a hierarchy (click on introductory lecture below).
  • T, Jan. 9: no class.
  • W, Jan. 10: Triads and their inversions.
    Introductory lecture
  • Th, Jan. 11: two-hour drill of triads and inversions.
    new groups should be formed at this time.

  • M, Jan. 15: Martin Luther King Day.
  • T, Jan 16: More drill on triads. play one note and add a fifth above, then third. Do the same with the other two inversions.
    KB prepare Exercise 1.14, PP. 10-11 (Brings). Play in the keys of G and F also.
    SS prepare rhythm PP. 78-80, melodies PP. 86-87. Drill at sight PP. 83-85 and duets P. 81.
  • W, Jan 17: Closed and open spacing. Cadences and preparations.
    Read Brings PP. 78-81 for information on figured bass numbers.
  • Th, Jan. 18: SS prepare PP.88-90 and drill duets, PP. 91-93 in class.

  • M, Jan. 22: predominants and substitutions. Harmony assignment #1 due.
  • T, Jan. 23: SS prepare melodies 1-4, PP. 100-101. Rhythm prepare PP. 95-97.
    Drill duets, PP. 97-98 in class.
    KB prepare Exercises 2.1 and 2.2, PP. 12-13.
  • W, Jan. 24: The idea of temporary tonicization.
  • Th, Jan. 25: SS at sight (group) PP. 102-106.
    KB prepare exercises 2.4, 2.5, 2.6, PP. 14.15. Drill 2.7 in class.

  • M, Jan. 29: secondary dominants and the diminished seventh chord. Harmony assignment #2 due.
  • T, Jan. 30: SS at sight (group) PP. 107-112.
    Rhythm prepare PP. 113-114.
    KB prepare exercises 2.8 and 2.9. Also play in the key of C.
  • W, Jan. 31: interaction of the modes.
  • Th, Feb. 1: SS drill PP. 117-118, prepare PP. 119-121.
    KB prepare exercises 2.12 and 2.13. Play also in the key of G.

  • M: Feb. 5: Harmony assignment # 3 due.
  • T, Feb. 6: Dictation midterm.
  • W, Feb. 7: Musicianship midterm.
  • Th, Feb. 8: SS prepare PP. 122-123, drill duets PP. 124-125 at sight.
    KB prepare exercise 2.18, P. 18. Drill in class exercises 2.19 and 2.20.

  • M, Feb. 12: Harmony midterm.
  • T, Feb. 13: Review of musicianship midterm.
  • W, Feb. 14: Review of Harmony midterm.
  • Th, Feb 15: Keyboard drill on figured bass from last chorales and altered chords.
    Chart of hierarchy of altered chords.
  • M, Feb. 19: Presidents' Day (holiday).
  • T, Feb. 20: SS at sight drill PP/ 128-129, prepare PP. 131-132.
    KB prepare exercises 2.21, 2.22, 2.23. In addition, play all in the keys of C and D.
  • W, Feb. 21:modulation and extended tonicization.
    Introduction to Mozart and sonata form.
  • Th, Feb. 22: SS drill PP. 142-143, prepare PP. 144-145.

  • M, Feb. 26: altered chords, including neapolitan, augmented sixth, and borrowed chords.
    Harmony assignment #4 due.
  • T, Feb. 27: SS prepare PP. 146-147, drill duets PP. 148-149.
  • W, Feb. 28: Secondary dominants review.
  • Th, Mar. 1: SS prepare PP. 160-161, drill PP. 156-157.
    KB prepare exercises 2.24, 2.25, 2.26, PP. 20-21 in keys of C, Bb, D, F, Eb.

  • M, Mar. 5: Augmented sixth chords as pivots: pivot chords in general.
    Harmony assignment #5 due.
  • T, Mar. 6: SS prepare PP. 162-163.
    KB prepare exercises 2.27, 2.28, 2.29. In addition play in two other keys of your choice.
  • W, Mar. 7: Drill on modulations.
    Analysis paper #1 due.
  • Th, Mar. 8: SS prepare PP. 169-170.
    KB prepare exercise 2.30 in all keys.
    KB prepare exercise 10.1, P. 132 and 10.2, P. 133 for practice in alto clef.

  • M, Mar. 12: Review modulations in sonata form and secondary dominants.
    Harmonmy assignment #6 due.
  • T, Mar. 13: SS prepare PP. 171-173.
    KB prepare exercises 2.31, 2.31, 2.33, 2.34 in keys up to four sharps and flats.
  • W, Mar. 14: General review and dictation drill.
  • Th, Mar. 15: Keyboard harmony review and drill.
    KB prepare exercises on P. 24 in at least four different keys. Drill in class.
    KB accelerated keyboard group: prepare exercise 10.3 in score reading.
  • Analysis paper #2 due on the examination day.

  • Sample analysis of a bach chorale: The music of J.S. Bach's Es is Genug (with chord symbols and phrases marked). The analysis itself.

    This syllabus and all other materials are also available at http://www.minotaurz.com/minotaur under the heading of educational materials, subheading of syllabi.

    Students may seek help from the professor at the office hour, Wednesday 12:00-1:00 PM, by e-mail (p_reale@minotaurz.com), or by phone (dedicated line available until 8PM). In advance of due date, assignments may be faxed for approval. Harmony assignments involve four-part writing in Bach-Chorale style. Analysis paper #1 is a differential analysis of a Bach Chorale, while #2 is a Mozart Sonata movement.


    Updated, February 18, 2001.

    Students would check this version for latest revisions.